Section 1: Introduction to the world of music production

-The Musical Evolution
-The First Step and Blueprint
-What is a Music Producer
-The Music Creation Field
-Acoustic vs. Analog vs. Digital
-Traditional vs. Modern technology
-What is Electronic (Dance) Music
-Electronic Dance Music Genres
-The 5 Stages of Making Music
-The Elements of Music
-Mixing and Mastering Overview

Section 2: Music Knowledge

-Musical Instruments Categories
-Tone and Quality
-Sound Analysis
-Song Analysis
-Ear Training
-Audio and Sound
-The Characteristics of a Sound Wave
-Physics of Sound
-What is Pitch
-What is Timbre
-What is Loudness
-What is Frequency
-Overtones and Harmonics
-The Sound Shape
-Threshold of Hearing
-Mono vs. Stereo
-Human Brain on Music
-Active Listening

Section 3: Ableton Live

-Authorization and Setup
-Understanding Live's Windows
-Live's Workflow
-Look and Feel
-Info View and Note Box
-The Session view
-The Arrangement View
-The Clip View
-Audio, midi, and Return tracks
-Audio Clips and Warping
-Midi Clips and Velocities
-Note Expression
-Live Devices
-The Browser
-Commands
-Shortcuts
-Automation and Clip Envelopes
-Routing and I/O
-Send and Return Tracks
-Live's Mixer
-Slicing Audio
-Saving and Exporting
-Video Window

Section 4: Musical Rhythm Theory

-Time Signature
-Rhythm theory
-Groove
-Drum Programming
-The kick drum
-The bassline and sub bass
-Kick and bass
-Bass Rhythm
-Snares, toms and claps
-Cymbals, Hi-Hats and shakers
-The percussion family
-Percussion groove
-Dotted and Triplets Notes
-Beat and Bar
-Whole, Half, and Quarter Notes
-Silence
-Length and Position
-Legato
-Tying Notes
-The cultural elements
-Timbre
-Layering elements
-Sequencing
-Humanization

Section 5: Music Theory

-The Keyboards
-Octave and Pitch
-The Octaves Shape
-The Octave Parts
-The Musical World Notes
-Notes Names
-White and Black notes in a Keyboard
-Sharps and Flats
-Computer Midi Keyboard
-Fingering
-The Elements of a Melody
-The Minor Scales
-The Major Scales
-Melodic Minor Scale
-Harmonic Minor Scale
-Scale Modes
-Technical Names of scale Notes
-Relative Notes in Both Scales
-Circle of Fifth
-Scales in the Circle of Fifth
-The Harmonic Scales
-Harmonic Mixing
-Switch Keys
-Melodies and Harmonies
-Track Structure and Melodic Notes
-The Power Chord
-Slash Chords
-Triads
-Add 2,4,6 Chords
-7th, 9th, 11th and 13th Chords
-Extended Chords
-Inversions and bass notes
-Chords progression
-Chords Substitution
-Voicings

Section 6: Studio Gear and Routings

-Midi Controllers Overview
-Midi Data and Message Types
-Routings and Connections
-Hardware and Software Routings
-Midi Mapping and Remote Control
-Midi Browser and Settings
-Midi Channels
-Compter and DAW
-Audio Interfaces and Soundcards
-Amplifiers and Pre-Amps
-Studio Monitors and Subwoofers
-Studio Headphones
-Microphones and Accessories
-Synthesizers
-Sound Proofing and Acoustic Treatment
-Acoustic Instruments and Electric Instruments
-The Analog Signal vs. The Digital Signal
-Analog vs. Digital Cables
-Mono vs. Stereo Routings
-Internal and External Routings

Section 7: Tracking and Recording

-Microphone Position
-Vocal Recording
-Acoustic Instrument Recording
-Electric Instrument Recording
-Line Recording
-Routing
-Gain Staging
-Audio Recording
-Midi Recording
-Comping
-Punch IN and OUT
-Overdub
-Capture Midi
-Record Buttons
-Signal Flow
-Metronome
-Time Correction
-Cleaning up
-Noise Gate
-Layering
-Harmony
-Chorus
-Tuning

Section 8: Audio and Midi Effects

-Reverb
-Delay
-Auto Pan
-Filter
-Arpeggiator
-Pitch
-Equalizers 3 and 8
-Compressor
-Effect Tricks

Section 9: Sound Design and Synthesis

-The World of Synthesizers
-The Story and the Evolution
-Hardware vs. Software Synthesizers
-Digital vs. Analog
-Types of Synthesis
-Mono, Poly, and Paraphonic Synthesizers
-Banks and Presets
-Waveforms
-Wave Shaping and Folding
-The Oscillators
-Pitch Transposition
-Pitch Gliding and Portamanto
-Detuning and Unison
-The Filters
-The Amplifier
-Envelope Generator
-Amp, Filter and Pitch Envelope
-Low Frequencies Oscillator
-Vibrato
-Subtractive Synth in Action
-Wavetable Synth in Action
-Sampling Audio
-Slicing and Sampling
-Complex Sound Design
-Modular Synths and Modulations
-Matrix Modulation
-Midi and MPE Modulation

Section 10: Track Structure

-Song Edits
-Conceiving the Idea
-The 3 Stages of Arrangement
-The 8 Bars Rule
-Phrases Theory
-Intro and Outro
-Verse and Chorus
-Break and Bridge
-Build ups and Drops
-Tension and Release
-Variations and Automations
-Transitions
-Drum Fills
-Sound Effects
-Time Commands and Silence
-Editing and Coloring

Section 11: Remix

-Remix Culture
-Stems
-Key and transposition
-Exporting Stems
-Remix Royalties
-Bootleg
-Setup and Structure

Section 12: Mixing and Mastering Overview

-Mixing vs. Mastering
-The Basics of Mixing and Mastering
-The Stereo Field Dimensions
-Ear Training
-Reference Mix
-Dynamics
-Loudness Control
-Leveling
-Panning
-Mid and Side
-Equalization
-Width and Depth
-Compression and Sidechain Compression
-Multiband Compression
-Parallel Compression
-Limiter and Clipper
-Dynamic Equalization
-Multiband Compression
-Bus Channels
-Pre Mastering
-Studio Mixing
-Bedroom Mixing
-Headroom
-Phase
-Shaping
-Mono and Stereo Imaging

Section 13: Music Business

-Music Industry
-The Independant Artist Route
-The Artist Image
-Artist management
-Art vs. Business
-Contracts and Agreements
-Negotiation Skills
-Underground and Mainstream Culture
-Social Media
-Marketing Strategies
-Digital Marketing
-Music Platforms
-Promotions
-Marketing
-Content Creation
-Stage Performances
-Record Labels
-Artist Management
-Booking Agencies
-Artist Name
-Logo and Design
-Branding
-Audience Targeting
-What is a Promoter
-What is an A&R
-Collaborations
-Copyrights
-Making Money from Music
-Remix
-Ghost Production
-Signing Agreements
-Sending Pro Demos
-Electronic Press Kit
-Website
-Music Distributors

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